Some stories are written in ink. This one is written in scars.

My friend Sarah died on a Tuesday. Not in a poem way. In the real way. Her heart stopped. It was cold in Brantford, the kind of cold that bites your teeth. She was on the sidewalk like she had been dropped there and forgotten. One shoe was half off. Her hair was stuck to her cheek. A plastic bag lay beside her like it didn’t know where to go.

People walked around her. Not over her. That would at least be honest. They did that thing humans do when pain shows up. They pretend it is not theirs. They look at the sky. They look at their phones. They keep moving. When I heard, my mind tried to reject it, like bad news that can’t be real. Sarah. The woman who laughed like she was trying to prove she still belonged in the world. Gone.

For three days she floated in a coma. A coma is not sleep. It feels like a deep ocean with no shore. Later she told me something that stayed stuck in my head. She said there was a moment in that dark where she heard a whisper. It was soft, like a hand on your forehead when you have a fever. It’s not your time yet.

To understand why she came back, you have to understand why she left. Sarah was born into a house that looked normal from outside, but inside it was fear with walls. Her parents were lost in drugs, so Sarah learned the most dangerous rule a child can learn: be invisible. If you are quiet, you are safe. If you are small, you don’t get hit. If you don’t need anything, nobody can punish you for needing. She grew up holding her breath.

Even the doctor saw terror in her eyes, but he didn’t sit with her. He didn’t ask the simple question that could have changed a life. Are you scared? He wrote a prescription instead. He gave a little girl pills to quiet the shaking. It didn’t heal her. It just muted her. She grew up, but the little girl inside her stayed scared.

She became a mother too young. She held her baby daughter like a lifeline. I will be better, she promised. I will be the safety I never had. For a short while, life even played fair. She found a husband who was steady. Not perfect. Just steady. Like a tree that doesn’t move when the wind yells. She started to breathe like breathing was allowed.

Then happiness slipped. Her daughter ran away at fifteen. People say “ran away” like it is a clean choice, but it was more like she got pulled. By the streets. By an older man. By poison that wears a sweet face at first. The house went quiet. If you have never heard the silence of a missing child’s room, you won’t understand it. It is not peaceful silence. It screams. The bed sits there like it is waiting. The clothes hang like they don’t know the person is gone. Every small thing becomes a weapon. Sarah walked past that door every day, and every day something in her cracked.

Then came cancer. The pain was sharp, like glass in her blood. The doctors gave her heavy pills. At first it was just to survive the pain, and then the pills did something else. They didn’t only dull the body. They dulled the screaming silence. They made the empty room quieter. And when you have lived your whole life afraid, quiet can feel like love. Sarah didn’t want to get high. She wanted one night where her chest didn’t feel like it had a hole in it. So she fell in love with numbness.

Little by little she lost the things holding her up. The husband. The house. The routine. The version of herself that still believed in tomorrow. She ended up on the street with a plastic bag full of small items that mattered only to her. Then the sidewalk took her. That Tuesday. And still, she came back.

Recovery is not a happy video. Recovery is ugly. It is sweat and shaking and time that moves like it hates you. It is sitting in a room with other broken people and finally stopping the act. Sarah did something brave. She stopped trying to be invisible. She spoke. She cried out loud. She let people see her. She fought like someone crawling out of a grave with bare hands.

She went to school. She became a social worker. The universe has a strange joke sometimes. She got a job at the same detox place that helped save her. Now when she sees someone shaking from withdrawal, she doesn’t talk like a poster. She sits close. She holds their hands. She says, I know this dark. I lived here too. And the person across from her believes her, because Sarah’s voice doesn’t sound like advice. It sounds like proof.

Some parts of her life came back too. Her son came back. Her other daughter is getting married. There were days when the table almost felt full again, but there was always one empty chair in her heart. The chair shaped like her firstborn.

Then the phone rang. A prison. They found her lost daughter. Sarah walked into that prison and the air smelled like metal and old regret. The building felt like it had given up. Her daughter refused to come out. Shame is a wall. It keeps people away even when love is knocking. Sarah waited anyway. She came back. She waited again. Finally the door clicked.

There she was. Her baby, wearing a stranger’s face. Thin. Grey. Tired in a way sleep can’t fix. They looked at each other through glass, the two people just trying to survive the weight of wasted years. Her daughter didn’t speak at first. She folded in on herself and put her head in her hands. Then a sound came out of her. Not a word. A plea from the bottom of a well. Mama. Help me. Please. It hurts so much.

Sarah told me later she almost broke right there. Not from anger. From love. Because in that one word, Mama, she saw the whole past. The small shoes. The school mornings. The promise she made long ago. I will be better. Sarah put her hand on the glass like it could carry warmth. I’ve got you, she said. I’m here.

Her daughter is in rehab now. It’s hard. Every day is a fight. But she is not fighting alone anymore. Sarah is there, steady like that tree again, not loud, not flashy, just present. And Sarah is also back at work, doing the same thing she once needed. She sits with people who are shaking. She listens to people who hate themselves. She keeps showing up for people who don’t know how to ask for help without feeling ashamed.

That is the part people don’t understand about coming back from the dead. You don’t return as a superhero. You return as a lamp. You stand in dark rooms and you stay on. You don’t drag people out by force. You just help them see the door.

Sarah let me tell you this story for a reason. She knows some people carry a pocket full of stones. Stones of regret. Stones of fear. Stones of shame. And they keep smiling like nothing is heavy. Sarah knows that kind of smiling. She lived it.

She was dead once. Cold sidewalk. Half a shoe. People walking around her pain. Now she is here. Not perfect. Not “fixed.” Just here. Helping. Guiding. Turning her own scars into a map for someone else.

So if you are reading this and you feel that whisper in your own dark, hear it. It’s not your time yet. Keep going. There are people you haven’t helped yet, and you don’t even know their names.


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Kalyanasundaram Kalimuthu

This blog is where I dump my brain. Like a suitcase that’s been zipped too long—thoughts spill out, wrinkled, awkward, and not always useful. No tips. No advice. No “live better” tricks. Just messy, raw thoughts—sometimes funny, sometimes not. Sometimes I don’t even get it. I don’t even want to call this writing. Real writers might take me to court. What I do is more like emotional spitting, random keyboard smashing, and letting my thoughts run wild like unsupervised toddlers in a grocery store—touching everything, breaking nothing important, but still making everyone uncomfortable. I do this because it helps me breathe. It’s like taking the trash out of my brain before the smell becomes permanent. It helps me talk to people without tripping over my own words. Writing clears the traffic jam in my head—horns, chaos, bad directions, all gone for a while. If you’re looking for deep lessons or motivation, you’re in the wrong place. I’m not your guide. I’m just a guy talking to himself in public and hoping someone finds it mildly interesting. This is the mess I call writing. Or not-writing. Whatever. Like a broken vending machine—it may not deliver what you asked for, but sometimes it still drops something weird and oddly perfect.

12 thoughts on “A Map Made of Scars

  1. “Sometimes I don’t even get it.”

    That line lingers. It doesn’t shout, it just settles in and grows—like the kind of truth Socrates trusted, not in what we claim to know, but in what we’re still willing to explore.

    Kierkegaard warned that to label a man is to negate him—and here, in all your refusals, I see a kind of sacred preservation. You’re not selling answers; you’re letting the questions breathe.

    And somewhere between emotional spitting and vending machine metaphors, you move like the old drunken master—unpredictable, strangely precise, and more free than most.

    This may not be writing as some define it, but it is ancient, and it is real.

    May your words keep making space—for breath, for wonder, and for those of us still learning how to listen.

    1. You caught the mess in my words and somehow made it sound like music. I didn’t even know I was holding my breath until your comment gave it room. Thank you for not trying to label it—just letting it be wild, cracked, and a little confused. I’ll keep writing like that old master you mentioned—half falling, half dancing, and maybe bumping into some truth along the way.

    1. You’re absolutely right. It’s easy to judge when we only see the surface—but underneath, there’s often a battle we can’t imagine. Thank you for seeing the courage in her story. Healing from trauma and addiction takes more strength than most of us will ever know.

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