I watched someone do something small a while back. They were warm to a person’s face. Genuinely warm, or close enough that you couldn’t tell the difference. The second that person turned and walked away, the warmth went with them. What came out instead was something close to hate.

It stayed with me longer than it should have. Not because it was rare. People do this constantly. What stuck was how familiar it looked. It looked exactly like something a seven-year-old does. A kid is your best friend at three and reports you to the teacher at three-oh-five. He tells you he loves your drawing, then two minutes later says it’s ugly, and means both. Children don’t manage their feelings. They just have them, one after another, out loud, with no editing between takes.

I used to think that was the whole difference between a child and a grown-up. A child feels it and shows it immediately. A grown-up feels it and learns to sit on it. I’ve even written about the funnier side of this before, the tower of clothes on my bedroom chair, the fake accent I put on when the bank calls. That was the cute version of still being seven. This is the less cute one.

Because I caught myself doing the same thing that person did. Being pleasant to someone’s face while quietly done with them. Staying calm through a small insult in the moment, only for the anger to show up ten minutes later, alone, in the car, aimed at nobody. I get strangely happy when I see a stranger laughing, like their good mood belongs to me a little. I get properly angry over a small insult, faster than the situation deserves. Neither of those feelings waits for permission. They just arrive.

So maybe growing up doesn’t remove the feeling at all. Maybe it only adds a delay switch. The seven-year-old still feels the whole thing immediately, right there, no filter. The fifty-something version of him feels it just as fast, but has learned to wait for a safer moment, or an empty room, before letting it out. That’s the actual trick we picked up along the way. Not control. Timing.

That explains the person I watched better than “they’re two-faced” does. They weren’t performing a role and hiding a monster underneath. Both feelings were real, at the same time, in the same person, the way a child holds contradictory feelings without noticing it’s contradictory. The niceness was true when it happened. The hatred was true five seconds later. What made it look monstrous was only that it had somewhere to hide until the coast was clear.

I don’t think I’m better than that person. I think I’m running the same software with slightly longer buffering time. The insult that should make me flinch on the spot waits until I’m alone to actually land. The warmth I show someone I’m annoyed with is real in the moment I show it, even if it doesn’t survive the walk to the parking lot.

He’s still seven. He didn’t learn to stop feeling two things at once. He just learned to read the room before deciding which one gets to be seen.

If you want the funnier version of this same kid, I wrote about him before, back when he was mostly just messy and hungry, not two-faced.

The Adult Costume: Stuffing a 7-Year-Old Into a Tax-Paying Body

Written before common sense could intervene — Kalyanasundaram Kalimuthu, July 13, 2026.


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Kalyanasundaram Kalimuthu

This blog is where I dump my brain. Like a suitcase that’s been zipped too long—thoughts spill out, wrinkled, awkward, and not always useful. No tips. No advice. No “live better” tricks. Just messy, raw thoughts—sometimes funny, sometimes not. Sometimes I don’t even get it. I don’t even want to call this writing. Real writers might take me to court. What I do is more like emotional spitting, random keyboard smashing, and letting my thoughts run wild like unsupervised toddlers in a grocery store—touching everything, breaking nothing important, but still making everyone uncomfortable. I do this because it helps me breathe. It’s like taking the trash out of my brain before the smell becomes permanent. It helps me talk to people without tripping over my own words. Writing clears the traffic jam in my head—horns, chaos, bad directions, all gone for a while. If you’re looking for deep lessons or motivation, you’re in the wrong place. I’m not your guide. I’m just a guy talking to himself in public and hoping someone finds it mildly interesting. This is the mess I call writing. Or not-writing. Whatever. Like a broken vending machine—it may not deliver what you asked for, but sometimes it still drops something weird and oddly perfect.

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